Charles Gounod


contemporary opera 14

In Brief

Opera in five acts, in French with Hungarian, English, and French subtitles

Performance length: , with 2 intermissions.

Gounod’s French grand opera has been an indispensable element of any self-respecting opera company’s repertoire, and to this day remains among the most frequently performed operas. The composer's aim was not an operatic adaptation of Goethe’s masterpiece. Born from the libretto by Jules Barbier and Michel Carré was a perfumed and smoky drama spiced with elements of romance and horror, as well as gothic motifs: a story of romance, the supernatural, religion, and the eternal battle against satanic powers.


Act I - Prelude 

In the hours before dawn, the aging scholar Faust is sitting alone in his study grimly confronting the realisation that his life's search has been in vain: the secrets of the world still remain a mystery to him. In despair, he decides to take poison and put an end to his life. But then he hears the sound of men and women on their way to work, singing praise to God for his gifts of nature. "But what can this God do for me? Can he give me back my love, youth and faith?" Faust curses earthly happiness, science and faith and invokes Satan. Méphistophélès appears, ready to provide wealth, glory and power. But what Faust wants is youth. Méphistophélès will fulfil the scholar's wish, but with one condition: just as he now serves Faust, Faust will later serve him down below. He displays a picture of Marguerite, the ideal woman, which immediately throws the ageing scholar into a state of excitement. Faust agrees to the deal, and in the wink of an eye is transformed into an elegant, young gentleman.
Act II - Carnival 
An the inn of the city during carnival. Men and women bid farewell to the soldiers departing for war, whose numbers include Valentin, Marguerite's older brother. The girl presents her sibling with a medallion to protect him in battle. Valentin, on the other hand, is worried about his little sister, since there is no-one else aside from himself to look after the girl. Siebel, who can hardly keep his love for Marguerite concealed, volunteers for the task. Wagner attempts to keep the pleasant mood going: he starts to sing, but then is interrupted by an unknown figure – Méphistophélès – who also performs a song for the company, one about the Golden Calf, at whose feet lie rich and poor alike and which makes a mockery of God. The song wins the group's approval, but the stranger acts in an increasingly strange and unsettling fashion: he prophesies misfortune for some, and conjures up wine. When he raises his glass to toast Marguerite, Valentin angrily draws his sword, only to watch its steel blade shatter in the air. Forming the broken weapon into the sign of the cross, he attempts to hold back the amused demon, and then departs. Faust gives Méphistophélès a command: he would like to see Marguerite again. The girl then appears in the crowd and demurely declines Faust's advances. The crowd waltzes ecstatically.
Act III - The Garden
Pining for Marguerite, Siebel attempts to endear himself to her by bringing flowers, but as Méphistophélès foretold, every last blossom withers in his hands. The curse is only lifted after the boy dips his hands in holy water. Finally he leaves bouquet in the garden as a token of love for Marguerite. Méphistophélès and Faust arrive. The demonic servant leaves his master to find a costly courtship gift and soon returns with a jewellery box. Faust, who moments earlier had been walking love-smitten through the garden of his beloved, now wants to flee. Méphistophélès places the box where the girl can find it. Marguerite soon arrives, daydreaming about the elegant gentleman she had turned down not long ago... She sings from a ballad about the king of Thule, but loses the thread of her song. Finally, she notice Siebel's bouquet, and then also finds the jewellery box, and is unable to resist the temptation to try on a couple pieces of jewellery. As she is doing so, she is found by Marthe, who is convinced that it can be nothing other than a gift for Marguerite from a wealthy suitor.  Méphistophélès appears with Faust beside him and attempts to distract Marthe with his own wooing so that Faust and Marguerite can be alone together. The shy girl slowly tells Faust about her fate: her brother is a soldier, and her mother and little sister are dead. Her courage soon vanishes, and she runs off. Méphistophél?s is at last free from the Marthe, who has showed excessive interest in him, and requests that Love and the Night soften Marguerite's heart with enchantment. The girl returns, followed by Faust. She attempts to resist the man, but is gradually overcome by feelings of love. At last she promises Faust that she will be his the next day.
Act IV - The church; Valentin's death
Faust has left Marguerite with child. The girl goes to the church to pray, but a terrifying, accusatory voice – Méphistophélès's voice – curses the girl and sends her into the madness of despair.
Meanwhile Valentin returns home from the war and greets Siebel happily. Searching for his sister, he hurries into the house. Shame drives Faust back to Marguerite's house. Méphistophélès starts into a mocking serenade, at which point Valentin, who has been informed by Siebel what happened in his absence, burst out of the house in a rage: he challenges the man who has dishonoured his sister to a duel. With help from Méphistophélès, Faust vanquishes Valentin and flees. Marguerite and the townsmen hurry to the mortally wounded Valentin, who curses his sister before expiring.
Act V - Walpurgis Night; Prison
Méphistophélès has taken Faust to the Harz Mountains, where Walpurgis Night is being celebrated by the queens and courtesans of the ages. Faust wants nothing more than to forget everything and lose himself in pleasures. Then Marguerite's spirit appears to him. Frightened at first, Faust immediately wants to see the girl. Méphistophélès takes Faust to Marguerite in prison, where she awaits execution for killing her child. Faust begs Marguerite to escape with them, but the girl will have none of it: even insane, she is not willing to follow Méphistophélès anywhere. She implores God for forgiveness, offering herself to him. Slowly the sun rises. Faust and Méphistophélès depart.
As bells ring for Easter, Marguerite's soul ascends to heaven. A celestial chorus gives praise to God.


“Here Faust, an opera that can seem leaden, vapid, pedestrian, turned out in this production, staged by Polish director Michał Znaniecki and designed by Italian Luigi Scoglio, to be utterly coherent. Each idea or conceit Znaniecki carefully followed through. Nothing was gratuitous; the action was vigorous; the unfolding, logical; the moves, uniformly relevant."

Roderic Dunnett, Opera Now